Kategori: TORRENT

40/25

Totone’s carefree teenage life of drinking and dancing takes a turn when he has to provide for his 7-year-old sister. In search of an income, he channels his energies into producing an award-winning comté cheese in order to win a prize in a competition. The actors are almost all non-professionals.

42/38

Featured in The 7PM Project: Episode dated December 5, 2024 (2024)

A singular profile of British pop superstar Robbie Williams.. The film arose from multiple interview recordings filmmaker Michael Gracey made with Robbie Williams during the course of a year and a half in Williams' recording studio in Los Angeles, in the United States. Although the interviews weren’t originally for a film, as Gracey "just wanted to capture [Williams] in his own voice telling his story," the majority of Williams' voiceover in the film is from those recordings.. Robbie Williams: If you’re gonna laugh, just do it on the inside, yeah?.

This movie is not what I was expecting

In a biopic of Robbie Williams, one would expect colour, theatrics, music and dancing and this movie doesn’t disappoint on spectacle. But where lesser biopics take you on a journey through an artists hits, this movie takes you on a journey through Robbie Williams’ psyche as he tries to come to terms with getting everything he ever wanted but feeling like he’s still not enough. The movie moves at break-neck pace and there are very few moments where the movie stops to breathe, yet it’s a credit to Michael Gracey and the team around him that the movie still packs powerful emotional punches. Jonno Davies is fantastic as Robbie, capturing his movements and idiosyncrasies perfectly.

It feels like the story Michael Gracey truly wanted to tell

The team at Weta should also be commended for their incredible work transforming his performance into the a chimpanzee that symbolizes how Robbie sees himself (a performing monkey, less evolved than those around him). Raechelle Banno plays Nicole Appleton (from All Saints) and puts in an emotional performance as Robbie’s fiancé. Her dance performance and the montage of their meeting is truly one of the highlights of the film. Steve Pemberton is perfect as Robbie’s father – the man who made him what he became in the worst way possible.The film benefits greatly from being an independent film.

It’s the best film of the year, a visual and auditory feast

The sex drugs and rock and roll are laid bare in all their grotesque glory. Robbie Williams himself should also be greatly commended for allowing the movie to lay all his flaws and mistakes at the feet of the audience. He does not come off well in large swathes of the movie and the movie is enhanced by his honesty with the audience. His singing and voice over work was also exceptional.This film is bombastic and in your face for almost the entire run time, yet much like the man it’s capturing, it has a sensitive soul just beneath all the bravado.

I hope it achieves the success it deserves

15/40

A driven young medical resident transfers to a rural hospital for a fresh start. There, the demons of his past start to catch up to him when he becomes consumed by the case of a young asthma patient.

40/43

A former racing driver finds himself back in action when he returns to Formula 1 racing to take on the sport’s premier competition.

15/23

A true story that follows experienced deep-sea divers as they battle the elements to rescue a crewmate trapped hundreds of feet below the surface of the ocean. There’s a Netflix documentary about this true story from the same director.

36/11

The government’s plan calls for recently widowed Santosh to succeed her husband as a police officer in the rural wilderness of North India. When a low-caste girl is found raped and murdered, she is drawn into an investigation led by charismatic feminist Inspector Sharma.

15/27

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10/10

A roguelike deck-building game with RPG elements and dungeons set in a dark fantasy setting. Choose a class, choose a style, and upgrade it by leveling up your stats and upgrading your deck. Fight, die, move on, repeat.

23/25

The director of the previous two films, Paul King, decided not to direct this installment

Paddington returns to Peru to visit his beloved Aunt Lucy, who now lives in the Bear Nursing Home. He and the Brown family embark on an exciting adventure when a mystery throws them on an unexpected journey.

It is a consistently entertaining adventure that never forgets the immigrant story at its center as Paddington struggles to find a balance between his past and his future

However, he came up with the idea for this third film and served as an executive producer on the film Graham Norton and guests: Billy Crystal/Emily Mortimer/Hugh Bonneville/Pharrell Williams/Michael Kiwanuka (2024). Paddington in Peru is perhaps the weakest of the trilogy, with the absence of Paul King and Simon Farnaby definitely felt, but it is still a wonderful third installment that does not lose heart and brings everything established in the first act to a clean conclusion, thanks to another satisfying third act.

Ben Whishaw remains invaluable with another perfect vocal performance, so Paddington continues to be a much-needed balm in the cinema

Hugh Bonneville is genuinely funny as he tries to be more daring, and Emily Mortimer is a worthy replacement, even if Sally Hawkins is missing. Antonio Banderas can do everything Dial of Destiny prevented him from doing, he has the balls to do it, and Olivia Colman as the shadowy singing nun is another major highlight.

As usual, there are plenty of slapstick here, and they always escalate in unexpected ways

Dougal Wilson’s direction brings just enough whimsy by carrying over ideas from his predecessors and some new inventive ones, as well as a few well-placed references to other films. The CGI is improved like never before, which makes it all the more impressive, as the effects that bring Paddington to life rarely falter despite the sheer amount of CG bears this time around.